![]() ![]() The first stage involves evaporation from the time the paint leaves the gun until it reaches the vehicle. Paint solvents evaporate at three differing stages. These rates control liquidity and help regulate drying (evaporation) and curing. Paint thinners or reducers are chemical compounds that evaporate at different rates. Solvents both dissolve the rosins and suspend the pigments, making it possible to move the paint from the mixing table, through the gun and onto the vehicle where the solvents evaporate. Solvents are called the coating's "vehicle" by paint chemists. Though painters use it each time they reduce paint and should be making choices as to which one they should be using, depending on the spray conditions, they often try to make choices without knowing how solvents work. This category of paint components is highly misunderstood. Knowing your system and following the prescribed recommendations is very important. Some manufacturers provide a mixture of balanced toners and non-balanced ones. Others do not have rosins in the toners and must have one added before they can be applied as a basecoat. That is, the toners on the mixing rack have the rosins in them and can be taken off the shelf, reduced and applied as a basecoat. The way that paint systems deliver their rosins also differs between manufacturers. Therefore, many collision repair businesses choose a vinyl wash primer (acid etch) for their direct-to-metal corrosion protection. Its disadvantage is that it takes time to apply. For example, epoxy has excellent adhesion qualities and when teamed with a corrosion resistant pigment provides an outstanding corrosion-resistant base. These different rosins have their advantages and disadvantages. Rosins such as acrylic urethanes, epoxy and polyester are each suited to specific situations. The type of rosin determines the durability and other properties of the coating. In more modern times, rosins were produced from synthetic hydrocarbons (petroleum). In the past, rosins were produced from oils (linseed oil, from flax, for example), and then from tree saps, such as varnish. These are the film-forming components of a coating that help provide gloss, durability, flow (rheology) and adhesion. They bind the pigments to the substrate below it. Rosins, sometimes called binders, do just that. It is these solids, with the help of rosins, that not only look good after they are cured but provide protection and long-lasting resistance to the elements – a vital part of a coating's job. When a coating is referred to as a high-solids paint, it is high in pigments, the substance that remains after the paint cures. Pigments make up the bulk of the solids in the paint. Most extenders are translucent and therefore do little for opacity. Other "pigments," called extenders, provide properties such as filling and sandability as in primers, adhesion and corrosion protection. Pigments also add to the coating's glamour with metallic, pearls (mica) and color shifting materials. The pigments that create color are finely ground naturally occurring minerals or manufactured products that add to the color and its opacity (how well it hides or covers). Though most painters think of the pigment as the "color" (and often it is), pigment also contributes to the hiding ability of a coating, its filling properties (the filler in primer filler is technically a pigment) and its sandability, adhesion, corrosion resistance and durability. Each of these components contribute significantly to the performance of the coating, either as it is being applied or during its lifespan (holdout). Solvent-borne paint has four basic components: pigments, rosins or binders, solvents and additives. Knowing how paint performs under certain conditions - and controlling those conditions to our advantage - is a necessary part of producing great paint jobs. To be good at what they do, painters in today's demanding market need to know how and why paint components work. Many of the components are the same, but nearly as many have changed, and new ones have been added. Those of us who have been painting for some time know all too well that the most constant part of paint technology is that it's constantly changing. Turn out your best work with a nuts and bolts understanding of these paints ![]()
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![]() If you don’t stop the recording and just quit out of the app, it’s not saving the video. What is important to note is that the STOP button appears in the menu bar of Mac OS X only after the START button has been pressed, there won’t be a stop button if you haven’t started. Yes the screen recording works fine in OS X Mavericks, I use it so often that I could write a book about it. Once the screen recording is stopped, you can then choose to save or export the file, as described. No where do the instructions say to quit the QuickTime app, so who knows where you got that idea but that is not what you should do. Follow the instructions as described to stop the recording “ To stop recording, either press the Stop Recording button in the menubar, or hit Command+Control+Escape”. In order for the Mac screen recorder to SAVE the recording, you have to “STOP” the recording first, which is why the instructions specify this. The newest versions of QuickTime Player include more Screen Recorder features making it worth it.Įnjoy this? Don’t miss more great Mac OS X tips. So what do the results look like? There are plenty of examples on our OSXDaily YouTube page, here’s one of several:Ī quick note for users of 10.5 or below: instead of paying for recording software, it’s often cheaper to just buy the Snow Leopard upgrade, or better yet, just jump ahead to Mountain Lion or OS X Mavericks if your Mac supports it. ![]() ![]() mov but you can export it as other formats as well using “Export” or “Save As”. You will want to choose specific options before recording screen activity for them to apply to the saved video. If there is a check next to the menu option it is enabled, selecting them again would disable the given feature. To access those additional features, just click the little downward pointing arrow to reveal a menu that includes Microphone options, Quality options, whether to show mouse clicks or not in the recording, and also where to default to saving the file to. You can also record audio if you have a microphone, or set it to ‘line-in’ if you want to direct audio from the Mac to the recorded activity on display. There are options to have mouse clicks shown in the recording as well, which is an optional feature but if you’re using the record screen feature for demonstration purposes it’s a good one to enable since it makes clicks much more obvious by placing the circle around them. Note that newer versions of the screen recorder will just hide the player completely, making it entirely invisible regardless of how it’s activated or deactivated. QuickTime Player gets out of the way when you are recording the screen so that the activity is not obstructed by the application, this is also why it’s best to just use the keyboard shortcut to halt the screen recorder. Once the recording is stopped, the capture is automatically opened in QuickTime Player as “Screen Recording.mov” which you can then save and use as you’d like.To stop recording, either press the Stop Recording button in the menubar, or hit Command+Control+Escape.Press the Red button to start recording the screen activity.Pull down the File menu and select “New Screen Recording”.Launch QuickTime Player (located in /Applications/). ![]() Here’s how to use it to capture a video of the Mac screen in action: The screen recorder function is included with QuickTime Player in Mac OS X 10.6 – 10.9 and later. ![]() ![]() ![]() Include a README? -If you recently created your account, this defaults to a tutorial README. For the purposes of this tutorial, pick either of the Yes options, that way you'll start out with a file.įrom Version control system, you can choose either Git or Mercurial. If this box is unchecked, anyone can see your repository. Keep the rest of the options as is unless you want to change them:Īccess level -Leave the This is a private repository box checked. A private repository is only visible to you and those with access. For example, if the user the_best has a repository called awesome_repo, the URL for that repository would be. Bitbucket uses this Name in the URL of the repository. With the exception of the Repository type, everything you enter on this page you can later change.Įnter BitbucketStationSupplies for the Name field. Take some time to review the dialog's contents. Bitbucket displays the Create a new repository page. From Bitbucket, click the icon in the global sidebar and select Repository.If you have an open Command Prompt/Power Shell window before these values were updated, you have to close and open a new Command Prompt/Power Shell window again.Do the following to create your repository: This is used by CMake to configure OpenCV_LIBS and OpenCV_INCLUDE_DIRS variables to generate project files.Ĭlick on OK, and click on OK again to close Environment Variables window. This directory contains file “OpenCVConfig.cmake”. In User variables, click on New, under Variable name:, enter OPENCV_DIR and under Variable value:, enter the path to the install directory of OpenCV.Ĭ:\Users\Administrator\Documents\OpenCV_Installation_4\opencv-master\Installation\圆4\vc14\staticlib Do NOT close the Environment Variables window. Depending upon where you have kept opencv folder and what version of Visual Studio you used to compile OpenCV, this path would be different.Ĭ:\Users\Administrator\Documents\OpenCV_Installation_4\opencv-master\Installation\圆4\vc14\binĬlick OK to save. This can be found at as:Ĭlick New, and give path to OPENCV_PATH\Installation\圆4\vc14\bin and click Ok. Under System Variables, select Path and click edit.Īdd the complete path to the directory where OpenCV was installed. We will be using command prompt throughout the process.īefore we jump into the technical stuff, let’s make sure we have all the right tools available. In this post, we will provide an installation script to install OpenCV 4.0 (C and Python) on Windows. Very efficient and yet high-quality DIS dense optical flow algorithm has been moved from opencv_contrib to the video module.QR code detector and decoder have been added to the objdetect module. The popular Kinect Fusion algorithm has been implemented and optimized for CPU and GPU (OpenCL).dnn module now includes experimental Vulkan backend and supports networks in ONNX format.New module G-API has been added, it acts as an engine for very efficient graph-based image procesing pipelines.Persistence (storing and loading structured data to/from XML, YAML or JSON) in the core module has been completely reimplemented in C and lost the C API as well.A lot of C API from OpenCV 1.x has been removed.Minimum required CMake version has been raised to 3.5.1. OpenCV is now C 11 library and requires C 11-compliant compiler.There have been a lot of bug fixes and other changes in these versions. OpenCV released OpenCV-3.4.4 and OpenCV-4.0.0 on 20th November. ![]() ![]() (The designers have correctly assumed that on the web people need the logo to orient themselves, since they are likely to land on a deep page without navigating through the homepage. The Back button on iOS is translated into a caret on Android the logo is present on the web page, but not in the app. Here are three pages displaying the same content in the Android app, iPhone app, and mobile website: Walgreens app for Android Walgreens app for iPhone Walgreens mobile website (m.)Īs you can see, all these pages are the same, except for the top header, which is platform specific. However, the Shop section in both the Android and iPhone apps uses a browser view that renders the corresponding page of the Walgreens mobile website. Both apps have multiple sections and many native features such as access to notifications and a Refill by scan feature that uses the phone camera to refill prescriptions: Walgreens app for Android Walgreens provides two very similar hybrid apps- one for Android and the other for iPhone. Tools such as PhoneGap and Sencha Touch allow people to design and code across platforms, using the power of HTML. Hybrid apps are also popular because they allow crossplatform development and thus significantly reduce development costs: that is, the same HTML code components can be reused on different mobile operating systems. Often, companies build hybrid apps as wrappers for an existing web page in that way, they hope to get a presence in the app store, without spending significant effort for developing a different app. Like web apps, they rely on HTML being rendered in a browser, with the caveat that the browser is embedded within the app. Like native apps, they live in an app store and can take advantage of the many device features available. (Because of that, many people incorrectly call them “web apps”). Hybrid apps are part native apps, part web apps. But if you really need those native features, you’ll have to create a native app or, at least, a hybrid app. Of course, one can argue that many apps (native or otherwise) do not take advantage of those extra features anyhow. There are, however, native features that remain inaccessible (at least from now) in the browser: the notifications, running in the background, accelerometer information (other than detecting landscape or portrait orientations), complex gestures. Also available are the GPS, the tap-to-call feature, and, there is talk about a camera API, although I haven’t seen any web app (or web page) that takes advantage of it so far. These are all features that are available in HTML5. And, due to browser caching, it’s even possible to read the newspaper offline. Users can swipe horizontally to move on to new sections of the app. For instance, there are no visible browser buttons or bars, although it runs in Safari (when accessed from an iPhone). Its web app is, in many ways, hard to distinguish from a native app. Instead, it came out with an iPhone web app (app.ft.com):įinancial Times web app for iPhone Horizontal swiping on Financial Times' web app In 2011 Financial Times withdrew its native app from Apple’s App Store to circumvent subscription fees and maintain closer connection with their subscribers. Today, as more and more sites use HTML5, the distinction between web apps and regular web pages has become blurry. ![]() Web apps became really popular when HTML5 came around and people realized that they can obtain native-like functionality in the browser. Users first access them as they would access any web page: they navigate to a special URL and then have the option of “installing” them on their home screen by creating a bookmark to that page. They are run by a browser and typically written in HTML5. Web apps are not real applications they are really websites that, in many ways, look and feel like native applications, but are not implemented as such. And native apps can use the device’s notification system and can work offline. They can also incorporate gestures (either standard operating-system gestures or new, app-defined gestures). ![]() They are developed specifically for one platform, and can take full advantage of all the device features - they can use the camera, the GPS, the accelerometer, the compass, the list of contacts, and so on. ![]() Native apps are installed through an application store (such as Google Play or Apple’s App Store). Native apps live on the device and are accessed through icons on the device home screen. ![]() In the mobile realm, you’ll hear often terms like native app or web app, or even hybrid app. ![]() ![]() When you finish the final section of the lengthy World Quest, 'Aranyaka: Part 4', you will have all five stories in your inventory, and can now give them to Aravinay in exchange for all of the craftable Sumeru weapon tales. To get the 'Stories of You and the Aranara' material, you need to complete five parts of the encompassing 'Aranyaka' World Quest. This unique currency can only be used for exchanging with Aravinay in Vanarana for Sumeru craftable weapons - and it fittingly has a unique way of acquiring them. How to get 'Stories of You and the Aranara' in Genshin Impact For help building characters, here's locations for Sand Grease Pupa, and Scarabs. We've also got tips and tricks for beginners, Dendroculus locations, fishing locations, and all TCG card locations. You'll need luck from the Pity and 50/50 systems to Wish with Fate for them and future Banners, and you always need the right Adventure Rank for events. Version 3.5 is here! Take part in Windblume's Breath and redeem new codes and Prime Gaming rewards for Primogems if you want Dehya or Cyno - and check them out on our 3.5 tier list. Ahangar can now make the Sumeru weapon for you if you have the required materials. When you have a weapon's tale, take it to Ahangar, the blacksmith in Sumeru City and select 'Learn' on the tale itself. There are a total of five 'Stories of You and the Aranara' to find - one for every Sumeru craftable weapon you can buy from Aravinay. You can unlock the weapons in any order, so if you really like the look of that Moonpiercer polearm, you can go ahead and spend the one story you currently have on it! You can now speak to Aravinay and exchange one 'Stories of You and the Aranara' for one Sumeru weapon tale. ![]() When you complete 'The World of Aranara', follow the new 'Trees and Dreams' quest marker and head up through the nearby cave in the northeast of Vanarana to find the Tree of Dreams. You'll bump into Rana on the main intersection that leads to Gandharva Ville in the east, and the questline will begin. To unlock Part 1 of the Aranyaka World Quest, go to Sumeru, then travel down the main southern path from Sumeru City. ![]() To get Sumeru craftable weapons in Genshin Impact, you need to complete 'The World of Aranara' part of the 'Aranyaka Part 2' World Quest. How to get Sumeru craftable weapons in Genshin Impact Watch on YouTube Version 3.0 "The Morn a Thousand Roses Brings" Trailer | Genshin Impact. ![]() ![]() The effects were a completely overloaded institution and injustices in the distribution, as better-off persons could file more applications. This led to a few persons applying hundreds of times and, thus, most probably receiving a Green Card. In the first year, it was still possible to enter several applications per person into the DV lottery. The formerly appointed National Visa Center in Portsmouth had to hand the processing over to the Kentucky Consular Center, which since then has been in charge of the receipt and evaluation of the applications. The responsible institution changed in 2000. ![]() Since 1994 the DV program has already been executed three times in February, once in November, and several times in October. More than 10 million foreigners are currently living in the USA with a Green Card. For a while, it had even been pink, since 1999 a light green shade is used again. Meanwhile, the Green Card has changed its color several times. Thus, the expression “Green Card” was coined and quickly became common. The famous immigrant visa was first introduced in the 1940s as the “Alien Registration Receipt Card.” The first of these credit card-sized IDs bore green writing and a greenish photo. ![]() is powered by The American Dream - US GreenCard Service GmbH, a government-licensed immigration consultancy. Diversity Visa Lottery for free at or use our service if you need any help with the application process. ![]() In order to maintain diversity in the population, US laws regulate immigration from particular regions of the world.įor this reason, the USA has randomly distributed 55,000 so-called Green Cards in the DV Lottery every year since 1994. For example, just those immigrating from Mexico, China, and the Philippines are by far outnumbering those from most of the other countries accumulated. However, far more people are coming to the USA from certain countries than from others. The US is proud to be a country of immigrants. The program is called the “Green Card Lottery” or "dvlottery" because the winners are determined through a random drawing from among the 10–12 million people who enter each year worldwide. The Diversity Visa Program (DV Lottery) is congressionally-mandated and allows up to 55,000 persons from nations that are historically underrepresented in terms of migration to the United States of America to qualify each year for immigrant visas, which are also known as Green Cards. ![]() ![]() ![]() Plotting multiple calendars on a single view ![]() You can click and drag on ranges to move them around, or click and drag on the edges of the ranges to lengthen or shorten them as desired. Records with values in both fields will show up on the calendar as ranges. (You can also create a new field, if you'd like.) This will bring up a dropdown menu of date fields from your table. ![]() To define a date range, click the Set an end date field option next to a date field that has already been plotted. If you have a Pro plan, the date field picker will let you select two date fields in order to define ranges. This will bring up the date field picker again. To change the calendar view's associated date field (or date fields, if you have a Pro plan), click the calendar icon in the view bar. Once a date field has been selected, your calendar view will populate with the records from the selected date field. If you do not already have one, you will be required to create a new one using the Create a new date field option. Note that in order to create a calendar view, you must have a date field in your table. You will then be prompted to select one of the table's date fields to use to place dates on the calendar. If your view creation section is collapsed, you will need to first expand it. To create a new calendar view open the view sidebar, then underneath the Create heading click the Calendar option. Record coloring, another Pro plan feature, is also particularly useful in calendar views.įor more information on Airtable Pro plans, please see our pricing page. These include the ability to define date ranges, as well as the ability to plot multiple date fields from the same table on a calendar. Users on Pro plans have access to a set of advanced calendar features, designed so that teams with calendar-intensive workflows can get extra insights from their records and design extra-powerful calendars. Calendar views (as you might guess) allow you to look at your records on a calendar. If you have at least one date field in your table, you can create a calendar view. ![]() ![]() ![]() ProprietaryMacWindows47 alternatives to NetSpot NetSpot is a simple and accessible wireless survey tool, which allows collecting, visualizing and analyzing Wi-Fi data.ProprietaryNetwork AnalyzerWindowsLet's face it- there's SOOO much Wi-Fi everywhere these days, the built-in Wi-Fi tools and free utilities that.Learn more about inSSIDerinSSIDer info, screenshots & reviewsAlternatives to inSSIDer36 FiltersiPhoneLinuxMacAndroidFreeiPhone + Network AnalyzerWindowsShow more filters 109NetSpotIs this a good alternative? Yes NoCopy a direct link to this comment to your clipboard Paid.Filter by these if you want a narrower list of alternatives or looking for a specific functionality of inSSIDer. Suggest changesThis page was last updated inSSIDer 156 Paid ![]() ![]() Other interesting Mac alternatives to inSSIDer are WiFi Explorer, iStumbler, WiFi Scanner and WiFi Radar Pro.inSSIDer alternatives are mainly Network Analyzers but may also be Network Monitors. If that doesn't suit you, our users have ranked more than 25 alternatives to inSSIDer and nine of them are available for Mac so hopefully you can find a suitable replacement. It's not free, so if you're looking for a free alternative, you could try Homedale or Airport Utility. InSSIDer Alternatives for Mac | AlternativeTo (function()() Skip to main contentSkip to site searchPlatformsCategoriesOnlineWindowsAndroidMaciPhoneLinuxiPadAndroid TabletProductivitySocialDevelopmentBackupRemote Work & StudyLoginSign up HomeNetwork & AdmininSSIDerAlternativesinSSIDer Alternatives for MacinSSIDer is not available for Mac but there are some alternatives that runs on macOS with similar functionality. ![]() ![]() The Abandoned Mine is located south-west of Mort Myre Swamp. A pickaxe to mine mithril ore after the quest (for the hard Morytania Diary).Ranged is recommended - see the boss section of the guide for more details.(High-hitting special attacks are recommended.) It doesn't have to be your only weapon, though. It can be useful to bring either a (additional) Melee weapon with high Strength bonuses, Ranged ammunition with high Ranged Strength bonuses, or high-hitting Magic spells.A Dramen or Lunar staff (if you cannot reach the starting location through the Shades of Mort'ton minigame teleport or a Mort'ton teleport scroll).Food is strongly recommended for all levels.Combat stat boosting potions (depending on your attack style).1 Super energy potion if low Agility ( Stamina potion is HIGHLY recommended).A ball of wool (Optional, required to create Salve amulet AFTER quest, NOT needed DURING quest).A chisel (can be acquired during the quest).60+ in a selected combat style (It is possible to do it below 60, for example, with Iban's Blast).Do you have the nerve to find out more, and enter the haunted mines of Morytania? Legend speaks of an unusual material, hidden in the depths of the mines, that is somehow linked to the desolation and fear that now surrounds the place. Recent forays into Morytania by some of Saradomin's more fanatical supporters have unearthed murky rumours concerning an abandoned mine in the south. Possible exceptions to this would be the denizens of Mechanus, who are more like living manifestations of law rather than a wizard's creation.Speak to the Zealot at the mines in Morytania on the path to Mort'ton. Otherwise, why include the "created" term at all? It's not obvious that this applies to all constructs, but I'd argue that most constructs would fall under "creature created by magic" and thus be affected by the spell. I would argue that this means that the animating force in a golem is technically a spirit summoned from another plane, and would thus be banished by the Antimagic Field. This process binds the spirit to the artificial body and subjects it to the will of the golem's creator. As a DM, I would rule that their mundane parts would remain, inanimate, inside the field.īecause golems are a point of contention, I will point out that the Monster Manual states:Īfter constructing the body from clay, flesh, iron, or stone, the golem's creator infuses it with a spirit from the Elemental Plane of Earth. Golems are created by magic, and thus they would wink out of existence in an antimagic field. Such a creature instantly reappears once the space the creature occupied is no longer within the sphere. A creature or object summoned or created by magic temporarily winks out of existence in the sphere. The relevant part of the description states:Ĭreatures and Objects. However, if you want such an effect, the (significantly higher-level) spell Antimagic Field will disrupt the magic that animates golems (but not undead). Slagmoth's answer adequately addresses the fact that Dispel Magic explicitly only ends spells on a target. ![]() ![]() There are a lot of duplicates or slight variations of this question floating about so arguments don't always get repeated. Please also see my other answer for things not directly addressed to this question. Specific spell descriptions can override this such as Wall of Force. ![]() It will affect undead and constructs the same as other beings for instance, if they have a magic spell on them like Protection from Good and Evil, it will end that. See the answer to the question:Ĭan you use dispel magic on the creations of a spell like animateĭead or affect those creations with antimagic field? The Sage Advice Compendium also says the same thing. It does nothing to other magical effects." " Dispel magic does one thing: end spells on its target. ![]() Jeremy Crawford starts every answer to how dispel magic works the same way. They can only be used to end existing spell effects of greater than instantaneous duration, and ignores other magical effects such as Arcane Ward and Wild Shape or a Vampire's Gaze. ![]() ![]() ![]() While some wireless connections sync perfectly, some can introduce lag, and I found that a wired connection to the Yamaha, for example, didn't have the same issue. This problem didn't happen with other apps, but it is an indication of how auto lip-sync can fail. There is no manual adjustment of lip-sync. ![]() I did encounter one issue with the TCL soundbar: I couldn't get the video and soundtrack of the Vudu version of the movie to sync no matter how much I unplugged and reset the TV and the speaker. Compared to the Yamaha, the TCL offered a better sense of space with the lobby scene from The Matrix (1:41:04) and more punch. Yet it's TV and movies you most want to hear on this device, and with that I can report good news. The TCL was pleasant, but lacked the bass thump of its rival. For music, the Yamaha offered better dynamics and bass with music, especially when listening to the sparse A Walk Across the Rooftops by The Blue Nile. I compared it to the even smaller Yamaha SR-C20 soundbar, and each has its sonic merits. Once connected the TCL was able to offer a big sound from a relatively inexpensive speaker. ![]() It could have been easier if the Roku TV had detected the soundbar when it first turned on - similar to the Sonos setup process - but if you can set up a Bluetooth connection you can set up this device. Alternatively, you can manually go into the TV's menu, select devices and then soundbar. Be ready though: The voice startled me because I wasn't expecting it. The soundbar prompts you to hold down the Home button on your Roku remote when you plug it in. One big appeal of Roku Connect is ease of setup, and indeed it was easy for me. Roku announced its wireless Connect system back in 2018, and while TCL announced a soundbar at the same time, it never appeared until now. This is obviously a fundamental part of the design, but it does limit your options, especially in terms of devices you can connect. Like the Roku TV Wireless speakers, the TCL soundbar's physical input list is nonexistent - there's no HDMI, optical or analog inputs. The speaker relies on the TV to provide apps and Bluetooth/wireless setup. This soundbar's symbiosis with the television is unusual. It offers a 120-watt output - no subwoofer on board - and includes a number of EQ settings including bass boost and night mode. It's 31.5 inches wide and 2.5 inches tall, and while it fit the 65-inch Roku TV I used for testing, the soundbar comes with a wall-mount kit as well. The Wireless Soundbar looks handsome with its faux-brushed finish and diamond-cut edges. This product is strictly for owners of Roku TVs. It also won't work with a Roku streamer connected to a non-Roku TV. That is, if you don't have a Roku TV, do not buy this soundbar: It won't work. Compared against other soundbars at the price it certainly sounds good, but being totally wireless is its most limiting characteristic.Īlso known as the Alto R1, the $179 TCL Roku TV Wireless Soundbar is a stereo speaker made exclusively for Roku TV models. ![]() The TCL Roku TV Wireless Soundbar is an attempt to bring these two latter categories together. Roku is best known for its popular streaming devices, including the excellent Roku Express 4K Plus, but it also powers TVs and speakers. ![]() |
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